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Horsemanship and Training the Gaits

  Horsemanship is the “in” thing right now, both in the FEIF world and in other international horse circles. It covers how we keep our horses, how we train and ride them, and how we, as riders and colleagues, treat each other. You could say it’s a moral code that relates to every part of our lives with our horses – as relevant to amateurs as to professionals. We can only be pleased that “horsemanship” has become a topic for debate.  Even if we, the Icelandic horse people in the FEIF world, are in agreement when it comes to many of things that affect our horses, it is evident that we have very different ideas about what an optimum training programme should look like. Our points of view are heavily dependent on the culture (and equine culture) we have grown up in.  This is often evident at World Championships, and last year’s was no exception. Styles of riding, training methods, the horses in general (physical condition, shoeing, musculature, and protective equipment) varied tremendously, all depending on which country you visited. 

Funnily enough, the thing we can always agree on is that the “others” – from other countries and equestrian associations – don’t do things quite as well as we do. But are we any better ourselves?   I think Icelandic horse people generally do a lot of things really well, as do many people involved with other types of horses. However, when it comes to the Horsemanship debate we are tip-toeing around an extremely sensitive area within our own world: how we build up/educate our riding horses from the first step of basic training to the highest levels of fine-tuning a competition horse with a lot of potential.

To start off with I assume that we, the riders, want to have a psychologically positive and physically strong riding horse, that is confident in its work and offers the rider all it is capable of: a riding horse that can communicate with the rider, because it has, during its education, learnt a language that is used in European equitation. 

I feel that although many trainers here in Europe have a background of classical dressage, they focus more often on current training trends, rather than on the fundamental precepts of their knowledge.  I got my first Icelandic horse when I was 10 in the early 70’s, and like so many others at that time, I totally disregarded everything I had learnt since I was 5 at the local, very English riding school. The only things that counted were those taught by Icelandic trainers. Fortunately we had the good trainers like Eyjólfur Ísólfsson and Siggi Sæmundsson from time to time, (for which my patient horse must have been eternally grateful), but there were also other less refined trainers with quick fixes. They relied, as a rule, on a good deal of brute force from the rider, which the horse would have been quite happy to have gone without. 

There must have been very few of us who saw any kind of system in what we did with our horses, but we didn’t question anything. In those days it wasn’t done. 

Around the mid-70’s new methods of mechanically influencing the gaits began to come to Denmark from the USA, via Germany. New methods and new equipment, (some more peculiar than others) were a ”must” for anyone who wanted to do well on the oval track. This is what we today call ”mechanical doping”.  

I could go on for ever: certain trainers regarded as guru’s, such and such a saddle, bit or other gadget being the answer to a rider’s problems.  In spite of many peoples’ fascination for the various types of Natural Horsemanship, and the increasing enthusiasm for an academic approach to the art of riding, many riders who deal with gait training still go for quick, measurable results. 

If we look at this and hold it up against the steadily increasing demands we put on the performances we would like our competition horses to be capable of, we will see that we have set our horses a difficult – too difficult – task.  There will always be exceptions that prove the rule: everyone knows of a 4 year old that got fantastic marks for its ridden ability, or a 6 year old that did brilliantly at the World Championships. If we take a broader look at the horses around, we will see that these examples are, indeed, exceptions, and should not be used as role models. 

The riding horse can be regarded as an athlete. If we, the trainer/rider, are to be responsible for its education, then we must make sure we bear in mind the fundamental principles of the horse’s anatomy and the building up of the riding horse’s strength and suppleness, and act accordingly. Without strength and suppleness it is impossible to show the horse at its best.  Regardless of the horse’s potential, its natural balance is disturbed the moment we sit on its back and ask it to carry us. In order to remain balanced with a rider on top, the horse must build up its strength and suppleness. This will take a certain amount of time, depending on the horse’s conformation, its formative years, physical ability and temperament. 

If we are in too much of a rush, the horse will regard working with us as something unpleasant, and will hold back from further cooperation. Depending on the factors mentioned above, in a situation like this we will get something out of our horse, but never as much as could have – and the horse will rarely be happy.  We must give the horse the necessary amount of time to build up its physical strength in order for it to be able to give a powerful performance. It is important to remember here the fact that, after its 5th optimum stretch, a muscle has reached its limit for one session. 

The period of time spent on basic training (straightening up and lateral work is included here) is an exciting one. To put it crudely, once we have managed to ride the horse in a straight line and can control the front end, then we can begin to learn to control the horse’s back end. While the horse is learning, each exercise is split up into several small exercises, so that the next step is always a logical consequence of what the horse has already learnt. The exercises improve the horse’s suppleness and strength, and help us to develop and improve our communication channels with him. 

This work goes well in tandem with riding the horse in the gaits he offers, and shouldn’t prevent us from encouraging the horse to go forwards briskly, in order to maintain the horse’s natural willingness, energy and good humour. This kind of work can easily be done out on a hack. It is more a question of the rider’s self-discipline than the physical surroundings.  When the horse and rider have mastered contra-versade and versade the rider will find he has got a useful tool for further training of the gaits. 

We must also remember what the old classic masters drew our attention to: each horse has a certain potential. We can try to draw it out and refine it, but we cannot create a characteristic if the horse does not possess it.  Many horses don’t get enough time for their education – or maybe their owners/trainers just accept a limited ability. We are much too dependent on results, and there are doubtless many good explanations for it. Enough for a whole book!!! 

What makes the situation confusing, however, is this: if we don’t educate our horses within a framework where the keywords are time, logic and system, and instead take a shortcut and teach the horse habits that may result in a good breeding assessment or good marks at a competition, but are nevertheless wrong in relation to the horse’s education as a whole, then we teach the horse habits that it is difficult to eradicate later. 

A typical example is a talented young horse that uses his hindquarters well. He has potential, but is lacking strength. For a while he will do really well, considering his young age, but over a period of time he will begin to go down more and more on the forehand. The rider will find he has more and more in his hands, particularly in transitions. The horse will often begin to throw his shoulder out or stiffen his neck in an attempt to avoid the demands which he finds physically difficult to accede to. The vicious circle has begun: a slightly more severe bit is used with more weight from the rider, and both horse and rider develop sore muscles.  It is not possible for the rider to correct the horse: partly because the horse hasn’t learnt those exercises which can be used to correct it, and partly because he has developed the wrong musculature, which makes it difficult to do as is required, even though the rider asks nicely.  

Many trainers know of horses like this, and they also know how long it can take to get the horse to trust the rider again. When a stressful situation arises later on (e.g at shows and competitions when the horse is asked for a transition) the horse easily falls back into its old habits. Once a muscular reflex has been learnt – perhaps stiffening of the neck or throwing a shoulder out when the rider feels on the reins – it is difficult to remove it from the horse’s “hard disk”. 

Things take time with horses… And it is our responsibility as a rider to give horses time. 

If we could move our focus away from the quick fixes of the tracks for a moment, and concentrate instead on the development of our horses so that we are constantly improving strength and suppleness, it is not inconceivable that an added bonus would be good results, and above all happy horses, that physically wear well. 

As I mentioned earlier, we have many different equine cultural backgrounds. Consequently, we will also look for our training “tools” and methods in different equine areas. For many – in the EU, at least – it will be natural to use classical dressage riding as a starting point. That kind of riding is the very backbone of what we have learnt, whether we like it or not.  For others, the principals of natural horsemanship are the solution. 

Many will argue against that, by saying it will make our horses boring, stiff, on the forehand and lazy.  My answer to this is a resounding NO.  Is a grand-prix horse boring to look at? No. He may have been when he was started off, but there is nothing boring about a well-educated dressage horse with good gaits. Think about the Spanish Riding School’s highly schooled stallions. Are they boring, stiff, lazy and on the forehand? Is this lack of ability in the gaits?  Certainly not - for here they managed to train the horse as an athlete. 

There are many boring riding horses and ponies of other breeds around – boring Icelandics, too – stiff, on the forehand, not willing to cooperate with the rider. “The others” are neither better nor worse than us as far as this is concerned  But if the curious Icelandic horse rider wants to work on training the gaits, then it means throwing himself into the process and maybe even accepting that there are methods that we as riders will have to practise and learn ourselves, which means we have to learn from those who know more than we do.

The point where many Icelandic horse riders start to have their doubts is the phase where the horse is learning the most basic exercises. Many people find it “boring” to teach the horses to learn the signals that allow us to control first the front end, and then the hindquarters. So they give up and look for quick fixes. Maybe they also give up because they haven’t really got to grips with the system themselves. But then it is difficult to go any further – also for the horse. But it’s a shame, because when we reach a certain level of communication with the horse and have built up a certain amount of strength and suppleness, then it is a pleasure to connect all that with the energy that is so unique to the Icelandic horse. The result is a much better use of the horse’s resources and a crucial factor in the training of the gaits, for now we can also use the exercises already learnt to influence the horse’s gaits. 

One of the best examples of this relationship is probably Eyjólfur Ísólfsson, the head trainer at Hólar Agricultural College, Iceland, and the mare Rás.  

If we as riders and trainers wish to progress, we must acknowledge that the naive years, when anything was allowed, are over. We must use what we learnt as children – for many  of us this will be about basic training and classical dressage – and combine it with everything we have learnt from the good trainers in Iceland about gaits and willingness. We must let ourselves move the focus to the training process itself, which is completely different for each individual horse, and acknowledge that experienced riders and trainers too could do with being a bit more sparing in some ways and a bit more education. 

Things take time with horses – fortunately. 

Karen Rasmussen

 

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